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May 23-27, 2011

Brush Stroke Boot Camp



with Lisa Birke SFCA

This intensive five day course takes the very best of the popular Brush Stroke Boot Camp Courses developed by Lisa for the Emily Carr University Continuing Studies Program and taught at schools around the West Coast and applies it to the natural surroundings on Quadra Island. 

We will look at colour theory, technique, brush stroke  and  basics of composition and learn how to put  them all together to make a successful painting.   
 

This workshop is suitable for those new to painting as well as advanced painters wishing to refine their skills. 

9:00 am to 4:00 pm

Class size is very small, so register early

Price $595 CAD includes 5 days instruction, delicious lunches, unlimited studio time

We have some easels, tables, paper towels, plastic containers, etc you are welcome to use. We like to go out together for dinner one night as a group.

 

Lisa Birke is a Vancouver artist working primarily in painting, installation and performance art. Since graduating from Emily Carr Institute (BFA 1999), Lisa has had public and commercial solo exhibitions in Canada, the US, and the Netherlands. Using black humour as a backdrop, her work is an eclectic mix of mass media, pop culture and kitsch imagery. It references art history and makes observations about consumerism, human impact on the environment, biological manipulation, social stereotyping, and how technology is changing identity and meaning in the contemporary world. Lisa has been an arts educator for ten years and has given numerous lectures on her work, travels and creative process.

"My work explores the world as seen through a mass media looking glass. I attempt to make sense of contemporary issues and technologies by rearranging and reflecting our kitsch and cultural signifiers back at us in satirical and oddly arranged conglomerations. My paintings merge traditional techniques and subjects with cartoon and abstract imagery in painted trompe l'oeil collage tableaus. I am interested in how humanity has evolved and where we are headed, tackling big issues in seemingly trite manifestations but affecting contemplation through subconscious and psychological undertones; like image-conscious advertisement gone horribly awry."

Materials List

Course Outline

 

Day One:

Colour:  -The power of opposites:  brightness, complements, intensity, temperature and discord

-Taking the mystery out of colour theory through an intensive colour mixing circuit

-See colour palettes used by artists throughout art history and understand why they work

Day Two:

Technique—Sky, clouds and atmosphere:

                -Alla prima, blending, dry-brushing and scumbling

                -Creating atmosphere through paint

                -Loading the brush: creating energy and movement through the brushstroke

                -Underpainting: the whys and hows

Day Three:

Technique—Water and translucency, form and mass:

                -Glazing techniques

                -Watermarking and staining

                -Layering, depth and light

                -Repetitive, thick and layered brush work

Day Four:

Basics of Composition and the Picture Plane: -Visual weight and placement

 -Space, perspective and the picture plane

-Approaches, process and style

-Visual movement and combining/layering technique

Day Five:

Putting it all together:    -Plein Air painting

                -Final Critique/Discussion

                 

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Firesign Art and Design

Contact: Nanci Cook   250-285-3390

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